bildungspark heilbronn integrationskurse

Also, it seems RL would pay Stone more — 5,000 — than the BBC! Pete said that during the 1950s Luxy let him use his own personality with more freedom than the BBC allowed. @Juul ... Hartelijke dank voor de leuke Radio Luxembourg/Luxemburg jingles. Let's look at the long-running chart show. The sound seemed so out of character for the time and therefore so different from the English and Benelux Services. From January 1960 208 used the "New Musical Express" chart. The news service introduced in 1968 continued but was later sponsored by the "Daily Mirror" whose name was prominent in each bulletin. CLT's transmission subsidiary Broadcasting Centre Europe took the Government to court to prolong the operational facility. The format change seemed to revive the audience. As some shows too went off to ITV there was more emphasis on getting programmes sponsored by record companies — something the station would be known for (or notorious for!) Luxy issued a press release in 1957 saying that their audiences had kept up since iTV started — but a lot of their advertisers switched to ITV. All the great music, the presenters and all the English I learnt. To counter the popularity of these illegal broadcasters and the ongoing success of Radio Luxembourg, the BBC is restructured, establishing Radio 1, Radio 2, Radio 3 and Radi… De onderstaande nummers werden gebruikt voor de Radio Luxemburg Top 30: (In fact, the idea of being on other Services was not new. He resolved to get it into their 'In fashion' list in a short time. There was huge interest in other central and western European countries. The range of popular presenters played pop music as well as Dutch-language light pop. Collins says that from 1975-83 Bob drew the biggest night-time audience figures. It was said that CRI was keen to prolong its contract for hiring airtime. A 208 rate card from 1965 shows that a 15 minute segment could be bought between 50-115 depending on the time. He was able to get programmes going properly as he retrieved some 50 crates of records and other equipment which he had left stored in the city in another person's keeping, away from the Nazi invaders. This was "Qui Italia" (This is Italy) produced for Italian expats in north and central Europe by Italy's State broadcaster RAI which hired time on 208. Now they could concentrate one language onto LW and use MW for the others. One innovation of the English Service came in autumn 1948 with start of the "Top 20" show — to be a Luxembourg institution for decades to come. Construction of the transmitter site at Junglinster, 11 miles east of Luxembourg city, began on October 1st 1931 on a hill 360 m above sea level. The majority of the presenters or DJs in these recordings are unfortunately deceased and the stations have long since closed down or ceased trading, hence their historical nature. By 1971 Pépé had been replaced by the more relaxed Romeo. The last years of the Benelux Service and new shows on the English 208. The final day. In the early days he aroused listener interest in the station's location and, therefore the station, by portraying a romantic but factual picture of its scenery, customs and people. In other Communist lands there were listeners. The BBC seemed to have ended its blacklist of presenters and singers who dared to broadcast on Radio Luxembourg. 1s" show Thursdays 19:00-21:00 with Bob Stewart and another DJ. SoundCloud. The music was German-language, European and American pop. As the jingles said "The best music 24 hours a day" and "Music at the speed of light — the Greatest Hits by satellite! The station now played oldies fairly regularly as well as current ones; opening the evening at 1915 on April 18th 1976 Chris Carey was straight into (jingle 'Golden Greats') the Four Tops and "Reach Out, I'll Be There." 581) had been trying to get the masts closed down. This was an attempt to create a national pop/dance station aimed at 14-24 year olds. It was a cult — you could only listen in the evenings. From 1979 he had a regular (German) hour on Fridays at 14:00 on 208 plus a Monday evening and Saturday night show who went out of FM only. The informal speech of the presenters plus their personal and laid back style was unchartered territory in German radio. While still pop the English Service had specialist shows. RL allowed him more freedom than the BBC did and this was one of the reasons for his success here. Anyone got or know where i can find the Luxy news jingle from the late 80s? Around this time the Radio Luxembourg Drive-In Show (promos heard on air) was one of the most popular in The Netherlands, Belgium and Germany. Gradually rebuilding the station in the post-war world. Is your network connection unstable or browser outdated? News for the French and German Services was provided by the French news agency HAVAS. He said. Alan Keen, ex Radio London, became General Manager of the English Service in 1969. Record retailer and listener 'beacon' later remembered that the DJ's were clearly enjoying themselves. The following files are all MP3-format And RL played different, modern music influenced by the coming Rock and Roll. ... Jingles, Promo's en Fillers . Another Russian wrote that he tuned in around 1965 on a military receiver while on military service with the Soviet army! If he/she/they had a new record out there was a good chance you would hear it. It widened its range of popular programming in direct competition to the BBC Light Programme. There were plenty of national advertisers like Shredded Wheat, Palmolive and Rowntree's Fruit Gums. This was helped by the preponderance of big names who appeared regularly on the air — more regularly than on other stations — plus the long list of celebrity actors and singers who guested on its programmes. We were only young kids, but thought we were the bees' knees with our trannies (sometimes one each) turned up to full volume.". In August 1971 it became the Top 30 moving to Tuesdays. The plane had the name 'The Luxembourg Listener' painted on the cockpit side. 'Radio Luxembourg Expérimental' was in French, German and Luxembourgois (a German dialect — with some French words — not easily understood by Germans) and they were a success. It stabilised its audience despite increasing competition with more than 100,000 listeners per hour average. There had been some changes to the English Service but it still had an air of informality, unlike the BBC. An idea of the line up can be gained from this 1969 weekday schedule: 0615 "Der fröhliche Wecker" (The cheerful alarm clock) — Jörg, 08:00 "Ich hab Musik so gern", (I like music so much) — Helga, 08:30 Einkaufsbummel (Shopping spree) — Helga, Wed 08:00-09:00 "Das Hausfrauen Magazin (Housewives' magazine), 09:00 "Doppel axel" (Double axle), 12:00 "Luxemburger Funkkantine" (Luxembourg radio canteen) — Frank and Achim, 14:00 "Autofahrer unterwegs" (Motorists underway) — Wolfgang, 15:00 "Disckommode" (Disc dresser) — Haidy, 16:00 "Frohe Fahrt" (Merry ride) — Achim, 17:00 "Unsere Freunde, die Tiere" (Our friends, the animals) — Monika, 18:00 Hörergruß-Lotterie (Listeners greetings lottery) — Brigitte, 1855 Nachrichten (News), 19:00 Heute im Club (Today the Club) — presumably SW and FM only, 19:30 English Service. Of the familiar names only Helga and Jochen were left. who can forget luxy fading in and out of our transistor radio when younger. The English Service officially launched on Sunday June 4th 1933. Until 1951 English programmes also went out weekday afternoons. Changes in the mid and late 1960s Changes were afoot. During the 1980s it was called the Original Top 20. A lot of the creative ideas came from DJ/Programme Director Frank. RL was the only source of rock and beat music plus information on new trends in the 1950s and 1960s — this was otherwise inaccessible especially in the 1950s. In 1972 Romeo left to be replaced by a double act of two Belgian/Flemish DJ's who had their own disco roadshow and had broadcast on the official BRT: Mike Verdrengh and Jackie Dewaele. No doubt the Belgian (Flemish) State broadcasts were no better. One listener recounted recently that Luxy seemed "rather old hat, the DJ's a bit staid and old-fashioned.". This made it one of the fastest information media in Europe. On Sunday mornings though airtime was sold to Johan Maasbach and the Seventh Day Adventists for their religious programmes. The station's success in its own words "astonishes competitors." (Was he the first offshore radio DJ?) By contrast, fans flocked to visit Studio IV, some getting autographs from the DJ's like Frank and even being put on the air. The rate after 23:00 of 70 up to 23:30 then 50 thereafter went up to 80 for Sundays with the "Top Twenty." A feature on the 16th on RTL's Luxembourg TV showed the anchors for the antenna cables being cut with an oxy-acetylene torch then all three masts falling to the ground. It had sought a wavelength to transmit an international programme to a wide audience. One of the first advertising jingles was heard; it was the Betox March for Betox cubes. From April 1996 the station ID was 'RTL Radio Die Grössten Oldies.' "The move to Medium Wave resulted in us getting a tremendous amount of mail from listeners and it greatly increased our advertising revenue. Tony Prince said, "Something very special is over." Keith Fordyce was on from the age of 27 in 1955 to the 1960s when for a few years he did taped shows from London but returned aged 54 in 1982 after Barry's passing for 6 months, still sounding very good on air and among somewhat younger DJ's. During the 1970s Programme Director Frank Elstner started bringing in the 'RTL' name so that announcements ran. Users who like Radio Luxembourg. He left to go freelance in London, becoming a newsreader and sometime DJ with the BBC for Radios 1 and 2 and later having a popular Sunday breakfast show on Radio 2. This change caused the previous DJ's and almost all the editorial staff to leave. Declining fortunes for the English 208 reversed then decline sets in again. Schoolchildren would talk about "die Hitparade" the next day with close school friends. The German Service wanted to extend the Oldiesender into the evening after the English had closed down. She was the secretary for the English Service who was asked to make a few announcements on the German afternoon show and the audience loved it. RADIO LUXEMBURG on 208 METER MW. On early Sunday evenings they continued German religious broadcasts on 208 only. Rodney Collins wrote that it regularly got audiences of 50,000 in the UK with the strong winter signal and Luxembourg's UK office was able to get some of the daily newspapers to include its schedule as 'RTL International.' Among teenagers two out of three listened to Luxis. Change had been in the air at RTL for a few years.

40+1 Ssw Und Nichts Tut Sich, Hotel Krone Wasserlos öffnungszeiten, Open Air Kino Kreuzlingen, Verlassene Psychiatrie Eifel, Rbb Zibb Rezepte Heute Abend, Wellnesshotel Rhön Mit Hund, Badesee Offenbach Am Main, Richtschnur, Norm Rätsel, Siegel Erzengel Raphael Bedeutung, Flohmarkt Aachen Real, Asterias Beach Ayia Napa,